Every once in a while, a piece of art will fundamentally change the way you see the world. That’s what happened to Carlie Wilmans the first time she visited 500 Capp Street.
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As a conservator, I started out conserving historic building materials and finishes, but that’s morphed into working with art and sculpture, too, like the murals in Coit Tower and the gypsum-and-latex door surrounds by Tom Otterness for the San Francisco Museum of Modern Art. Recently I’ve had the opportunity to
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I remember the first time I walked into David Ireland’s house, not long after the 500 Capp Street Foundation hired us to handle the conservation of this building that was also a major work of art by an amazing artist. I was immediately drawn in by the warm, lustrous, amber-colored
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